Do come along and support this exhibiton. It’s free entry with coffee and cake available at the centre. There will be a huge variety of work including paintings, collage, sculpture, pottery, cards and crafts. I will be there all day on Thursday 14th, demonstrating my collage art. It would lovely if you came to say hello!For more info visit:

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BUT…. ..it’s so much more than that. If you want to come and hang out, chat, get inspiration from books, people, images and conversation – that is fine too. Most of the time, THIS is where the magic happens – when your best ideas come. It’s in the being rather than the doing.

It is the care and love for the attendees – “ ooh, my usual, coffee with one sugar please”.

It is the familiarity – “oh you’ve got my fave biscuits again, marvellous”.

It is a regular place to allow space for creativity – a routine.

It’s a pride, admiration and encouragement for each other’s efforts, boosting self confidence.

It’s the regular connection and the friendships.

It’s being part of a creative community.

It’s the sharing of ideas – “I love this music, where did you hear it? Where’s the best place to buy those paints? Have you seen the new exhibition at The Minories? What’s a good book for a summer holiday read?”

It’s the unknown and doing things you may not have tried on your own.

It’s the summer house, doors open, kettle on, a table, some materials out and a homemade cake …..sounds good right?

At the end of the day, we are social creatures. We look for context and connection in our lives. It’s not rocket science that creatively we are stronger together which is fundamental to our success. The key to COFFEE CAKE CREATE is showing up. Letting go of the expectation of an outcome or creating a masterpiece and trusting that the environment will ultimately foster creative ideas. They may come in the moment or they may come down the line – either way it’s a win.

Join us every Friday from March 15th 10am til 12 30pm in the garden studio. £10 for unlimited coffee and cake. BYO materials or you are welcome to use mine. Book your space by messaging me through Insta, Facebook or email and pay on the day with cash or card. I live in a busy little street but there is off road parking and I can put a visitors parking permit on when you arrive. I am quite central to town so also well placed for bus routes. I can’t wait to meet you!

The post Coffee Morning Magic first appeared on Lucy MacBrayne Art.

Embracing the technology once again, 85-year-old David Hockney brings us an immersive experience in the form of a gigantic projection and atmospheric, audio display – “Bigger and Closer (not smaller and further away)”

Walking into the bowels of the Light Room at Kings Cross, we heard Hockney’s familiar, soft voice – my fears of a gimmicky exhibition from one of my most admired artists gradually being dispelled.

I felt safe in David’s hands, immediately highlighting the main difference between this and other similar immersive exhibitions, the like of Van Gogh, Klimt and Frida Kahlo – Hockney is still alive and at the wheel, (at one point quite literally, in his car driving through the mountains describing how the Wagner score he was listening to at the time, came to life in his painting of the same encouraging us to “see the music”).

On entering the Light Room, we spent a few moments, looking down over the expansive room, its viewers (young and mature) sitting, lying, standing – the images of David’s work underfoot and all around. We then moved into the heart of the room and took up a different position finding ourselves sitting in one of his iconic swimming pool paintings – his signature squiggly marks depicting the water dancing around us.

The 50 minutes of Hockney’s commentary and film took us on a journey through his interest in ipads and cameras; his fascination with perspective and how it translates into his work. It’s divided into various chapters of his life, including his move to LA; his surreal Opera stage designs; his Cubist Polaroid collages, and his digital sketches – “I recorded this so you are literally watching me paint here”, Hockney says. My favourite section is a wall of his many sketch books, with his ageing hand turning over the pages of his beautiful preparatory paintings. “My job, I think, is to make pictures”.

A shared interest of mixing collage with paint and a love of vibrant colour is what drew me to the exhibition. And it certainly didn’t disappoint. By the end, my lingering doubts about a novelty act were gone. I felt impressed by the level of skill, tenacity and thoughtful reflections.

Critics such as Jonathon Jones may complain that there “is not a single real work by him here to catch your memory and hold on to your soul. Without real art, this entertainment goes the same way as all the other immersive exhibitions of art icons: into the wieightless, passionless dustbin of forgetting”. However on looking around, I didn’t see people who would forget this experience. I saw emotion – joy, amazement, happiness. And movement – people contorting their bodies, to see what they were missing behind them.

Isn’t this what David is asking from his work – for it’s viewers to look more closely and to see a different perspective – in nature, in life, in people? And after all, he is no stranger to an immersive experience. He demonstrated this in a previous more traditional exhibition called ” A Bigger Picture” 2012, where gargantuan panels filled the entire walls and were created specifically for the Royal Acadamey of the Arts Gallery, curated by Edith Devaney.

Yes, it’s true what Jones says. There is nothing better than observing original works and seeing the artists expression through brush strokes and marks. However, a modern IT take can present a different view point and have value for sparking wonder and interest in a more diverse audience.

If you go to the exhibtion I’d love to know your thoughts and about your favourite bits – or the bits you didn’t like! Get in touch.

Meanwhile you can read more about this exhibition, and book tickets, at https://lightroom.uk/whats-on/david-hockney/

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